Andreas Herzau photographs the Bamberg Symphony Orchestra

From 2 October 2026 to 28. February 2027 c. 200 images on view at the Villa Dessauer, Bamberg.

June 20 through September 2 at C/O Berlin

The F.C. Gundlach Foundation has taken over Henrik Spohler's photographic archive.

Wilfried Bauer saw as no one else saw. Until his death, the Hamburg photographer created an oeuvre of great quality and diversity.

F.C. Gundlach's images have become icons of fashion photography with their timeless aesthetics.

From 1990 to 2023, Andreas Herzau photographically examined the world as an attentive observer and, as an interpreter of contemporary phenomena, addressed it in his own aesthetically designed photographs.

Peter Keetman's work occupies a central place in post-war German photographic modernism and is characterized by his subjective view and his commitment to graphic design.

Michael Lange initially photographed reportages for magazines, portraits and advertising shots on behalf of clients before transforming himself into a master of existentialist landscape photography.

Hans Meyer-Veden captured Hamburg, its harbor, the Elbe River, and the surrounding area in its changing landscape, thus writing a chapter of his own city history. Sensitive reportage photographs bear witness to his travels all over the world.

As the winner of the "Jugend fotografiert Forschung" photography award, Dirk Reinartz was immediately hired by Henri Nannen for Stern magazine – the beginning of a great career in reportage photography.

Toni Schneiders created graphic nature studies and empathetic images of people with high pictorial standards and made a significant contribution to the renewal of photography after 1945.

Since the start of the millennium, Henrik Spohler has been exploring the consequences of modern economic globalisation in his photographic series.

Werner Stuhler's work is characterized on the one hand by his comprehensive documentation of the country and its people, especially in Central Europe, and on the other hand by his photo-experimental formal language in exchange with artists of the post-war avant-garde.

Reinhart Wolf was a key influence on advertising, design and food photography from the 1960s to the 1980s.